Happy Centennial Of Buster Entering Films!!!

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Today is the day, folks. Chills!!

Back on Sunday we gave a nod to the day that’s thought to be when Buster Keaton visited Roscoe Arbuckle’s Comique studios for the very first time (or, at the very least, met friend Lou Anger and Roscoe himself on the streets of NYC). While there’s been a bit of confusion about these dates in the past, thanks to Buster’s surviving datebook we can confirm that he absolutely, 100% went to Comique on March 21st, 1917 to film The Butcher Boy! Today, he was captured by the motion picture camera in this very scene below…for all time! (And let’s give a shout out to the patient Mr. Méliès, who doesn’t mind that we keep interrupting his theme month. *wink*)

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Analyzing The Molasses Scene From “The Butcher Boy”

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This is my own post for the Third Annual Busterthon–hope you enjoy!

It’s one of the most famous scenes in all of silent comedy–the “can of molasses” scene from the Roscoe Arbuckle short The Butcher Boy (1917). This had the honor of being former vaudevillian Buster Keaton’s very first scene ever committed to celluloid. He always spoke of it with fondness and in his later years he enjoyed reenacting it for TV shows. And significantly, he would say that it had been done in one take. He’s often quoted from his autobiography, My Wonderful World of Slapstick:

Incidentally, I’ve been told that my first scene in The Butcher Boy is still the only movie-comedy scene ever made with a newcomer that was photographed only once. In other words my film debut was made without a single retake.  p. 93.

Having watched The Butcher Boy approximately 458 times, I now wonder: if we examined the gag frame-by-frame, could we discover how this seemingly simple scene was put together? And was the entire molasses scene done in one take? Can we spot any clues that would prove it? Clear your schedules, my friends, ’cause this is about to get detailed.

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The Third Annual Buster Keaton Blogathon – Celebrating 100 Years of Buster!

IT IS HERE.

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UPDATE 2/21/17: The third and final day of the blogathon is here! New posts are up and ready for viewing, enjoy!

For the third year in a row we’re celebrating the work of our genius in slapshoes, the one and only Buster Keaton. His work is timeless, his mark on film history irreplaceable, and of course, he was the master of making us laugh. And this time around we are also commemorating a special year: the centennial of Buster’s entry into films, a milestone year that will never come again.

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100 years ago Buster agreed to play a scene in Roscoe Arbuckle’s brand new Comique two-reeler. And movie audiences have been falling for his talent and humor ever since.

Bloggers: Please send me the link to your post whenever it’s ready today, tomorrow, or Tuesday. I’ll be updating periodically throughout the blogathon. Don’t forget that I’ll be holding a drawing for all participants, the winners receiving a either a $25 gift certificate to Buster Stuff, a copy of Imogene Sara Smith’s book The Persistence of Comedy, or the DVD set Industrial Strength Keaton! The drawing will be held on February 22.

Readers: Drop by often to see the latest posts–and don’t forget that we bloggers adore comments. And when you’re finished reading all the wonderful posts, why not pop in a few Buster films? It’s BK100, y’all–let’s celebrate!

And once again, here are the links to the First and Second Annual Buster Blogathons.

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The Roster:

Silent-ology: Analyzing the Molasses Scene From The Butcher Boy 

Silver Screenings: Steamboat Bill, Jr. or Buster Keaton and the Important Things in Life

Special Purpose Movie Blog: The General: Factual or Fictional?

MovieMovieBlogBlog: For the Love of Buster Keaton

Grace Kingsley’s Hollywood: An Early Keaton Fan: Grace Kingsley

Big Riot V Squad: Buster Keaton: From Stage to Screen

Finding Nelson Evans: Keaton’s Leading Ladies in Pictures

Caftan Woman: Review of the books Keep Your Eye on the Kid, Bluffton: My Summer with Buster Keaton, and Keaton Comedies: A Toby Bradley Adventure

Silent Locations: Amazing New Keaton Discoveries: My Wife’s Relations

Life’s Daily Lessons BlogA Funny Thing Happened on the Way to the Forum 

Little Bits of Classics: Chaplin and Keaton: Two Friends in the Limelight

Popcorn Optional: Buster Keaton: A Wonderful World of Slapstick

Welcome To My Magick Theatre: Buster Goes to College

Senseless Cinema: The Haunted Worlds of Buster Keaton

An Ode to Dust: Buster Keaton: In the Works (Graphic novel project)

Century Film ProjectOh Doctor!

Charlene’s (Mostly) Classic Movie ReviewsOur Hospitality

Critica Retro: Review of My Wonderful World of Slapstick

The Fyuzhe: On Buster’s Television Work

Hometowns to Hollywood: Buster’s Hometown of Piqua, Kansas

Prince of Hollywood: 100 Years of Buster Keaton: The First Films of a Comedy Legend

The Midnite Drive-In: Twilight Zone episode “Once Upon a Time”

The Scribe Files: Buster, Italian Style (or Due Marines e un Maestro)

Christina Wehner: The Joy of Discovering Buster Keaton

The Wonderful World of Cinema: My First Time With Buster Keaton: One Week

The Lonely CriticThe Navigator

Silent-ology Is Three Years Old Today!

Three years ago to the day I hesitantly hit “publish” on an article about Chaplin (and man what a nervewracking moment that was), and “Silent-ology” was on its way. And now, three full, busy years later……….we’re finally starting to scratch the surface of silent film topics write about!!! (I’m kind of serious. There’s just so much.)

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Thanks, guys!

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Thoughts On: “Intolerance”

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In our minds, we picture Intolerance differently than most films. Say the title, and we usually don’t see the faces of the Dear One or Brown Eyes or run shots from the four storylines through our minds. We picture the photo of the massive hall of Babylon. We see the sharp-edged archways, the curves and ridges of the immense pillars, the  white elephants with their peculiarly defined muscles and curving trunks. We also see the masses of tiny people on the floor of the hall, clustering around the feet of the elephants, and lining the top of the archways. There is an awed sensation when you think of this dense image. Perhaps there is also a sense of remoteness.

But recall the actual scene itself, how the camera slowly, smoothly moves forward, closer and closer until we can clearly see the people, see the details of their clothes, and can see their faces in their matte makeup.

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The Mighty “Intolerance” Turns 100 Today

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D.W. Griffith’s massive, dramatic, beautiful 1916 epic Intolerance, to this day one of the most ambitious film projects ever devised, is a century old today. On September 5, 1916 its world premiere was held at the Liberty Theater in New York. This is arguably one of the biggest milestones in cinematic history. It’s partyin’ time.

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As demonstrated.

In 1958 Buster Keaton (who parodied the film in The Three Ages) reminisced: “Griffith’s Intolerance was] terrific…It’s a beautiful production. That was somethin’ to watch then. You weren’t used to seein’ big spectaculars like that.”

I’ll be devoting some posts to this cinematic masterpiece later this month, so until then, have a celebratory banner.

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‘Tis an historic day!!

Silent-ology Turns One Today!

Well my friends, I can hardly believe it but today Silent-ology is celebrating its very first anniversary!!

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I want to extend a big, hearty, sincere THANK YOU to all my readers! Wherever you are and whether you’ve stopped by several times or only once, you have no idea how much it’s appreciated. I’m not kidding or exaggerating one iota about that. Continue reading