When I began writing book reviews I decided Silent-ology would be concentrated on nonfiction, with maybe a very rare exception for a well-written historical fiction novel. For one thing, silent fans are always seeking out nonfiction with good info about the era. Plus, I’m come to the sinking realization that I’m turning into one of those awful nitpickers who notices and actually kind of cares if a novel has some minor historical inaccuracies. (“It’s supposed to be 1917 and he just used a slang term that wasn’t popular until 1923? This shall not stand!“) It’s getting bad, folks.
Being in the midst of preparing an article for the upcoming issue of The Silent Film Quarterly (have I mentioned that I have a column there now? No? Oh. Well, I do), I decided to do a repost of one of my favorite 2015 articles. It was written especially for Keystone Month, and was a lot of fun to write. Hope you enjoy!
If you’re ever having an earnest discussion about silent comedy (and who wouldn’t), there are a few topics that will often bring out a smile: fake mustaches, cream pies, satirical twirling of said fake mustaches, the Ton of Fun. And there’s one topic that always seems to make people smile: Mack Sennett’s Bathing Beauties.
Once considered mildly risqué, but now considered surprisingly innocent, the playful, perky, mischievous girls popped up in Sennett’s comedies time and time again. Admittedly the plots would sometimes screech to a halt just for them, but at least half of the theater audiences were too appreciative to mind.
Originally posted on Grace Kingsley's Hollywood: One hundred years ago today, Buster Keaton was introduced to the moving picture camera. Considering what Keaton did with it, the day really ought to be an international holiday. Childs Restraunt breakfast menu,…
Yesterday evening, January 31st, brought some sad news–the great historian and film preservationist David Shepard had passed away.
This is a huge loss to anyone who loves silents and supports film preservation. Shepard is responsible for the restorations of Intolerance, The Navigator, Man With a Movie Camera, The Gold Rush, The Cabinet of Dr. Caligari, The Cheat, and countless others. To say that we owe him one is an understatement.
Shepard worked at Blackhawk Films in the 1960s (and bought the company in 1987), became a preservationist at the American Film Institute, and eventually started his own company, Film Preservation Associates. He’s worked with Kino, Flicker Alley, many film festivals, and has won awards for his tireless work. He has been both a huge help and huge inspiration to countless historians. In some of their own words:
“David was an extraordinary individual. I do not think it hyperbole to state that he significantly inspired most of our current film historians and archivists, and his countless works have been viewed and loved by nearly every serious classic film fan.”
“A Giant in the Film Preservation world has taken his leave from us this evening. A friend to so many of us, his legacy is large and immeasurable.”
“There was no better advocate for restoring classic films and making them available to modern audiences. I pray that David is chatting with many of the film greats in heaven today.”
“He leaves behind one heck of a legacy, as well as an influence on all of us who follow in his footsteps.”
Shepard had been suffering from an inoperable cancer, and passed away with his family, friends, and beloved dog at his side. He will be greatly missed.
Do you collect vintage Christmas decorations? Love singing vintage Christmas songs? Maybe even enjoy trying out vintage holiday recipes? Then how about taking the next step and trying out some very vintage Christmas films?
Exposure to forbidding vintage Santas is well worth the price.
I’m not talking about the familiar holiday staples like Miracle on 34th Street, It’s a Wonderful Life or the hallowed classic Santa Claus Conquers the Martians–I’m talking about the very earliest Christmas films ever made, pre-dating our more commercialized era. Heck, they pre-date the widespread use of electricity. The discovery of penicillin. Even the Coca-Cola Santa Claus. These are holiday movies over a century old, from the literal horse and buggy era, and they are charming peeks into a long-gone world. Let’s start with: Continue reading →
‘Tis the season to bring back this post! This Harry Langdon classic might not have anything to do with Christmas directly, but its story is very much in line with the holiday spirit. Beautiful winter cinematography, too. I highly recommend adding it to your regular seasonal fare, Harry will appreciate it!
This being a gift-giving time of the year, my friend Steve over at MovieMovieBlogBlog got an intriguing idea for a blogathon: If you could give only one movie to someone this Christmas, what would it be, and what person (or kind of person) would you give it to?
After thinking it over, I decided that my gift would be a silent film (of course) to a fellow silent film lover (who just might appreciate it the most). And it wouldn’t be just any good pre-talkie from whichever genre I choose; it would be a film particularly suited for Christmastime.
Did you know that you can add a real, honest-to-goodness silent film star to your Christmas card list? You most certainly can! The world knew her as “Baby Peggy,” an adorable little girl once as well known as Colleen Moore, and today Diana Serra Cary is a noted film historian and the last living major film star of the 1920s, turning 98 just last October.
Last year I suggested that we send her some Christmas cards, and I’m going to suggest that we do it again this year, too! So gather up your nicest, most festive holiday cards and send them to this address:
Diana Serra Cary
738 Fifth Avenue
Gustine, California, United States 95322
She also offers autographed 8 x 10 photographs as a way of supplementing her income. According to this site, the photos are $60.00 each (plus $7.50 shipping and handling), and you can order one by contacting the family via email@example.com.
Wishing you all the best during this Advent season!
There’s an old quote you may have heard, attributed to Benjamin Franklin: “…In this world, nothing can said to be certain, except death and taxes.” I’d like to amend that: “…In this world, nothing can said to be certain, except death, taxes, and fans of silent comedy debating about the ranking of the Big Four.” (Or the “Big Three,” for the multitudes of you who haven’t made Harry Langdon an integral part of your lives yet.)
There’s a reason Harry’s wiping away a tear.
General film enthusiasts take the informal-yet-widespread ranking of Chaplin, Keaton and Lloyd as the all-time best silent comedians for granted (and more would include Harry if they would actually watch Harry, harumph), but for some time now the tide has been changing among silent comedy fans. It’s not uncommon to find arguments in favor of less emphasis on “The Big Four,” of adding or replacing a comedian or two, or even of ditching the ranking all together. Those in favor of the latter say there were lots of popular comedians back in the silent era, and furthermore, these unjustly overlooked folks could be just as funny as Lloyd or Keaton. Thus, the ranking is unfair and not even historically accurate. Right? Continue reading →
Happy Turkey Day, and warmth and good wishes to all! This is a day where we take a moment to be thankful for all the good things in our lives–family, friends, food, shelter, and other blessings. No matter how much or how little you have, there’s always something to be thankful for.
Recently it struck me that we classic film fans have a lot to be thankful for. Not only are old movies more accessible than ever thanks to the Internet, but new finds are turning up all the time, new restorations are always ongoing, research is easier than ever, and best of all, we can connect with film fans across the globe.
Speaking of “new finds,” and connecting with fans, here’s a prime example. CineMuseum, the team behind the Roscoe Arbuckle and Mack Sennett sets, just took custody of this amazing piece of history–Roscoe Arbuckle’s 100 year old makeup kit that he used while acting on the stage! Paul Gierucki shared this photo below, and there was much rejoicing:
How incredible is that?! All these decades later it’s still intact and still looks just how Roscoe left it before joining the Keystone company.
Thanks to the Internet and to generous historians, fans can now get the first look at amazing artifacts like this. It’s this kind of happy event that makes me feel thankful to be a classic film fan not just on Thanksgiving, but all year round.