Happy 2018, everyone! Now that 2017 is officially behind us, once again it’s time to recap the various silent film-related discoveries, restorations, events, DVD/Blu-ray/book releases, etc. from the past 12 months.
Louise is ready to help you with your New Year’s resolutions!
Now, I normally keep a running file of these kinds of stories which I update whenever they catch my eye. A couple months ago, however, my 9-year-old laptop breathed its last (or maybe it drowned–I kind of spilled water all over its keyboard). I had copies of nearly every file I owned backed up online–EXCEPT for, you know, a couple irreplaceable things like my 2017 film news file. Yes, about 15 dumb memes were safely tucked away but NOT THAT FILE. So forgive me if I missed anything absurdly obvious–I tried my best to get caught up again! Continue reading →
If you got to go back in time to the Golden Age of Hollywood and spend Christmas with one of your favorite stars, who would you pick? It would be a really tough decision, but if you were factoring in stars who were really, REALLY into Christmas, then Harold Lloyd should probably top your list!
Harold and family (and friends?). Not sure where this image came from, but it’s a nice one, isn’t it?
On his 15-acre estate Greenacres, boasting a 44-room mansion, 9-hole private golf course, a 900-foot man-made canoe stream, and what was once southern California’s largest swimming pool, Lloyd “knew how to keep Christmas well,” as Dickens would say. Continue reading →
Is it that time of the year already? Why yes, it is! Time to start preparing for:
Time sure sped by in the past year, didn’t it? 2017 being Buster’s centennial of appearing in films, we of course were celebrating him all year long (I sure did!). Now that the centennial is over, it’s time to get back…to our usual 24/7 celebration of all things Buster!
Or so BFI likes to call him. At any rate, this is the 127th birthday of this legendary director, a man who kept his life so private that one biographer questioned if Lang’s first wife (#1 of 3 marriages) even existed.
Among the ranks of the many forgotten silent actors and actresses who specialized in similar kinds of dramatic roles or comic “types,” there were a few who were a little more unique. One was the actress Josephine Workman, aka “Princess Mona Darkfeather,” who (believe it or not) wasn’t actually an Indian princess and whose possible American Indian ancestry is a big question mark. But for much of the 1910s she was very popular among the moviegoing public–and, she was certainly a part of the development of the Western genre.
In honor of this here Turkey Day, I’ve decided to craft a small collection of photos showcasing a hot 1920s autumn trend: pictures of silent stars posing with turkeys. Apparently, no November issue of a movie magazine was complete without at least one of these.
Here, for instance, is Anna Q. Nilsson posing with a studio’s best stuffed turkey. Some of you might remember Nilsson’s cameo in Sunset Boulevard:
For decades, silent star Marion Davies was known mainly for two things: for being the mistress of uber-powerful newspaper magnate William Randolph Hearst, and for supposedly being the inspiration for the untalented Susan Alexander in CitizenKane. Well, the latter isn’t true–Susan was based on the wife of a different uber-powerful magnate (as Orson Welles himself finally revealed). And as for the former, while Marion was certainly part of a faithful “arrangement” with Hearst right up until his death, it didn’t define her. A look at her films proves that she was a warm, hardworking, immensely talented woman who likely had the charisma to make a name for herself in Hollywood without Hearst’s help. (I’d say she was mighty lucky to have him on her team, but she was already working on her acting career before he swooped in with 5-gallon buckets of money.)
1920s fan magazines are an endless source of trivia, fun anecdotes, touches of serious journalism, and of course, oodles of fluff pieces. Take the following irresistible article from Picture-Play Magazine, from the March 1927 issue:
Here’s the headline on the opposite page (as you can see, the article was compiled by Dorothy……………Wooldridge):
A bunch of actors and actresses were asked what annoyed them about the opposite sex the most–and who knows if they were asked personally, or if their publicists responded. Either way, some of the answers are most amusingly 1920s. Continue reading →
This wonderful illustration is from Dennison’s Bogie Book, a book of Halloween decoration and party ideas that seems to have been published every year, with updates I presume. This comes from the 1925 edition–isn’t it priceless? Here’s another illustration:
To celebrate this spooky holiday, here’s a roundup of all my Halloween-inspired posts from the past. Counting my posts from this month, this includes the films: Continue reading →
Man, I couldn’t help cringing while writing the title of this post–because from that alone, this film sounds so cool. This is a vampire tale? From the year 1920? And it’s a German Expressionist film, you say? By Robert Wiene, the director of The Cabinet of Dr. Caligari, you say?! This must be a forgotten gem!! An obscure work of genius, just begging to be rediscovered by eager new audiences and then extolled as one of the unsung masterpieces of early experimental cinema!!
HOLY FREAKIN’ HARRY LANGDON, LOOK AT THAT ART DESIGN!!
Well, I’m here to confirm that it’s………..not. It’s just not. It’s not any of those things. Well, okay, it is a German Expressionist film from 1920 directed by Robert Wiene, but a cinematic masterpiece? Oh good heavens, no. Continue reading →