For a long time the world knew her as “The Biograph Girl.” Family and friends knew her as “Flo.” And in time, fans would know her by her full, rhyming name, “Florence Lawrence.” And today we also tend to add this phrase–“The First Movie Star.”
Contrary to popular lore she wasn’t technically the first movie star, but she certainly was one of the earliest. Continue reading →
Slowly but surely, 2015 is beginning to draw to a close. It’s certainly been a year of ups and downs, and for people interested in film history, it’s been a year with a certain significance. And no, I’m not talking about the new Star Wars movie (not this time, that is). Continue reading →
Today, August 3, is the 103rd anniversary of when Keystone was officially incorporated on paper. Let’s celebrate by examining the life of the laugh company’s founder, Mack Sennett!
[Edit: I’m proud to say that this is also my 100th post! Woo-hoo!!]
Of all the bona fide legends of the silent film era–which include Eric von Stroheim, D.W. Griffith, George Méliès, Abel Gance, et al.–one of the most important is comedy pioneer Mack Sennett. Most people recognize his name, but the man himself is a bit elusive. What’s the story behind this person whose studio produced over a 1,000 films back in the early days of Hollywood?
I am pleased to present this article on the life and career of the very underappreciated Bobby Harron, an actor of rare talent who left his mark on some of the greatest films of the silent era–and the film industry in general. It’s a long one, so I’ve added a list of contents for your convenience!
One of the earliest and most overlooked film stars is Robert “Bobby” Harron. The slender, unassuming young man acted in dozens of films, including the largest milestones of all time: The Birth of a Nation (1915) and Intolerance (1916).
And yet, perhaps because of the attention given to Griffith’s actresses, Bobby is constantly, and consistently, overlooked. It’s common to see articles merely mention him as a costar to Mae Marsh or Lillian Gish before delving into the details of the women’s performances. Gish and Marsh were some of the finest actresses of the silent era, to say nothing of other talented Griffith players like Miriam Cooper or Blanche Sweet. But Bobby was a massively talented actor in his own right. Take a moment to turn your concentration from Gish or Marsh to the dark-haired Irish lad just to their side, and you’ll realize what you’ve been missing. Continue reading →