There’s a lot of legendary lost films that everyone wants to see, like Browning’s London After Midnight, the Laurel and Hardy silent Hats Off, Murnau’s late silent feature Four Devils, and so on. But I’m sure every silent fan has their own personalized “wish list” of lost films they’d really, really love to see. My own is a bit silent comedy-centric and Griffith-centric, because I love a good comedy (duh) and I’m a big fan of Griffith’s wonderful stock company (Marsh, Harron, Gish–priceless!). So here’s my list of films that I’m crossing my fingers will turn up some day. I wrote it as a “top ten” list, but just know that only #1 is truly ranked:
10. Back to the Kitchen (1919)
Many of Louise Fazenda’s starring comedies with Mack Sennett have vanished, and that’s a shame, because as you guys know I’m a big fan of this highly-overlooked comedienne. She usually played a “kitchen slavey” or other type of working girl who’s either revealed to be an heiress or is fought over by determinedly inept suitors. It’s very hard to decide which short I’d like to see best, but I actually own the above lobby card for Back to the Kitchen (1919) so it’d be mighty special to see it!
Slowly but surely, 2015 is beginning to draw to a close. It’s certainly been a year of ups and downs, and for people interested in film history, it’s been a year with a certain significance. And no, I’m not talking about the new Star Wars movie (not this time, that is). Continue reading →
I am pleased to present this article on the life and career of the very underappreciated Bobby Harron, an actor of rare talent who left his mark on some of the greatest films of the silent era–and the film industry in general. It’s a long one, so I’ve added a list of contents for your convenience!
One of the earliest and most overlooked film stars is Robert “Bobby” Harron. The slender, unassuming young man acted in dozens of films, including the largest milestones of all time: The Birth of a Nation (1915) and Intolerance (1916).
And yet, perhaps because of the attention given to Griffith’s actresses, Bobby is constantly, and consistently, overlooked. It’s common to see articles merely mention him as a costar to Mae Marsh or Lillian Gish before delving into the details of the women’s performances. Gish and Marsh were some of the finest actresses of the silent era, to say nothing of other talented Griffith players like Miriam Cooper or Blanche Sweet. But Bobby was a massively talented actor in his own right. Take a moment to turn your concentration from Gish or Marsh to the dark-haired Irish lad just to their side, and you’ll realize what you’ve been missing. Continue reading →