Happy 2018, everyone! Now that 2017 is officially behind us, once again it’s time to recap the various silent film-related discoveries, restorations, events, DVD/Blu-ray/book releases, etc. from the past 12 months.
Louise is ready to help you with your New Year’s resolutions!
Now, I normally keep a running file of these kinds of stories which I update whenever they catch my eye. A couple months ago, however, my 9-year-old laptop breathed its last (or maybe it drowned–I kind of spilled water all over its keyboard). I had copies of nearly every file I owned backed up online–EXCEPT for, you know, a couple irreplaceable things like my 2017 film news file. Yes, about 15 dumb memes were safely tucked away but NOT THAT FILE. So forgive me if I missed anything absurdly obvious–I tried my best to get caught up again! Continue reading →
For decades, silent star Marion Davies was known mainly for two things: for being the mistress of uber-powerful newspaper magnate William Randolph Hearst, and for supposedly being the inspiration for the untalented Susan Alexander in CitizenKane. Well, the latter isn’t true–Susan was based on the wife of a different uber-powerful magnate (as Orson Welles himself finally revealed). And as for the former, while Marion was certainly part of a faithful “arrangement” with Hearst right up until his death, it didn’t define her. A look at her films proves that she was a warm, hardworking, immensely talented woman who likely had the charisma to make a name for herself in Hollywood without Hearst’s help. (I’d say she was mighty lucky to have him on her team, but she was already working on her acting career before he swooped in with 5-gallon buckets of money.)
New research on silent comedy has been on the rise in the past decade, and quite a bit of this is thanks to the tireless efforts of renowned historian Steve Massa. Silent-ology is very pleased to present this exclusive interview with Massa, where we discuss his very well-received new book Slapstick Divas: The Women of Silent Comedy.
Sybil Seely and Charles Dorety in one of the many rare images from Massa’s book.
For those readers who might not be familiar with your work, can you introduce yourself and talk a bit about your career?
Fans of film history–rejoice! For in the Year of our Lord two thousand and seventeen, the library of essential early film books like The Parade’s Gone By and Mack Sennett’s Fun Factory has been expanded by Slapstick Divas: The Women of Silent Comedy by film historian Steve Massa. It’s been my most anticipated book of the year, and as you can already tell, I was not disappointed.
As part of the ongoing, year-long celebration of his 1917 entry into films, I will periodically review the prominent books on Buster Keaton. Here’s my take on two of the more widely read biographies out there:
One of the great classic film biographies, Keaton–along with Buster’s own autobiography–is an absolute must for anyone looking to learn more about our favorite straight-faced comedian in a porkpie hat. Continue reading →
Classic film fans who are curious enough about early Hollywood history to look beyond familiar stars like Clara Bow or Louise Brooks and seek more obscure personalities might be amazed by how many there were. Dozens of actors and actresses are forgotten today, but were once familiar sights in theaters across the nation. They were beloved by fans and left their own unique marks on pop culture–sometimes in careers that spanned decades. Take Bebe Daniels, for instance. Continue reading →
Now this isn’t a book you get to review every day! Technically, the full title is: 1907 Chicago Projecting Co’s Entertainer’s Supplies Catalog No. 122: Deluxe Reprint Edition, sincethis is the catalog’s first reprinting in over 100 years. Yes, the last time film exhibitors set eyes on this book’s contents was seven years before WWI–back in the era of vaudeville and nickelodeons! Continue reading →
When you think of the figures in film history that are household names, several examples spring to mind: directors like Alfred Hitchcock, Steven Spielberg, and Orson Welles, and actors like James Stewart, Marilyn Monroe, and Marlon Brando. How about really early Hollywood names? Well, there’s Charlie Chaplin, you say. And also…well…err, yes, Chaplin.
But if there’s any name that (also) deserves a status in film history as large as the heads on Mount Rushmore, it’s DOUGLAS FAIRBANKS. Continue reading →