To invent, you need a good imagination and a pile of junk.
–Thomas Edison
Skipping madly ahead of the lingering shadow of World War I, the 1920s was a time of optimism, invention, art, and ever-increasing speed. With its marvelous “modern conveniences” and improvements in nearly every aspect of living, it must’ve seemed like a veritable golden age of innovation.
Its atmosphere was also infused with whimsy and wonder. Many people had grown up with “fairy plays” and circuses, and comic strips dabbled in absurdity and surrealism. Puns and tall-tale style jokes were popular, and comedy films needn’t be logical as long as they were amusing.

Logic is never the point.
Only in this atmosphere could someone like Charley Bowers thrive–an animator (and former head of the Mutt & Jeff cartoon studio) whose oddball visions found a perfect home in cutting-edge stop motion animation. A figure only moderately known in his day and then completely forgotten until his rediscovery in the 1960s, Charley appeared in a series of live action “Whirlwind Comedies” enlivened by stop motion–which he dubbed his “Bowers Process.” My personal favorite of the surviving “novelties” is the ever-wondrous and quirky Egged On (1926). Continue reading