CMBA Blogathon: My Top 5 Classic Comfort Movies!

Since springtime has finally sprung, it’s time for one of the Classic Movie Blog Association‘s famed seasonal blogathons! (I’m a member, dontcha know.) This time, the theme is “Classics for Comfort,” wherein bloggers are sharing their top 5 lists of classic movies that are guaranteed mood-lifters.

Classics for Comfort Singing in the Rain Banner 1

For me, it’s really hard to pick just 5 movies. There’s lots of classics I can watch over and over, like Sunset Boulevard or All About Eve. But are those really comfort movies? Not quite. No, these have to be the kind of movies you like to relax to after a long, exhausting day, films you know will always perk up your mood. And thus I present my top 5 list (by the way, my perpetual Favorite Movie Ever is Singin’ in the Rain, but that always gets its own pedestal, so I’ll keep it there this time):

5. Monkey Business (1931)

Monkey Business (1931)

Any Marx Brothers film will do when I’m feeling down, but Monkey Business is a go-to favorite. Some of the best comedies are beautfully simple, and there are times when my heart desires nothing more complicated than letting these four brothers loose to wreak havoc. In this case, on a ship. And classic sequences like the passport scene are darn cathartic (let’s just say I’ve worked in the customer service industry).

4. Why Change Your Wife? (1920)

Gloria Swanson в Twitter: "“I'll take this and six more! Make them ...

What better goofy escapism can there be than Cecil B. DeMille’s delightfully over-the-top society comedies? Starring Gloria Swanson (as many of his society pictures were), this is a “husband vs. wife” sort of tale with the usual misunderstandings. The husband wishes his frumpy wife would nag him less and be more of a “sweetheart” again, while the wife is scandalized by his suggestion that she wear something hot. The costumes, especially the elaborate women’s lingerie and a certain men’s bathing suit (or whatever that is), are gloriously of their time. In fact, that men’s bathing suit…ensemble…cape thingie is a mood lifter all by itself. (Oh, Theodore Kosloff.)

3. Sons of the Desert (1933)

Oliver Hardy, Charley Chase, and Stan Laurel in Sons of the Desert (1933)

Virtually anything the boys appeared in is a comfort film, but if I had to pick one of their features? Sons of the Desert never fails to crack me up.  Not only is the premise of Stan and Ollie sneaking away from their wives to attend a riotous convention funny, but I love studying how these characters interact. Particularly the early scene where Ollie’s battleax wife yells at him in front of Stan. Stan feels awkward, but not too awkwardclearly this isn’t the first fight he’s witnessed between the two! Just brilliant comedy all around.

2. The Freshman (1925)

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Picking just one Harold Lloyd film for this kind of post is darn difficult, because his entire career can be filed under “comfort movies.” Just the image of his glasses probably brought comfort to a lot of people back in the day. But my decision is usually The Freshman, one of those wonderful underdog tales Lloyd excelled at. How could you not laugh at that scene with the kitten? Or feel warm fuzzies when Speedy and Peggy laugh delightedly after their first kiss? Or feel a jot of happy energy when Speedy, bearing the brunt of tackle training, picks himself up and enthusiastically keeps going? Or…

1. Sherlock Jr. (1924)

Sherlock Jr. (1924) | BFI

The moment you say “Pick a comfort movie” to me, I’m going to say “But how am I supposed to pick just one Buster film?!” But after much thought and many complicated math equations on huge chalk boards, I’ve finally come up with a result: Sherlock Jr., a 45 minute masterpiece of clever hilarity. The gags of some of silent comedy’s very best, and Buster shows a perceptiveness about the nature of film and its impact on viewers that is simply ahead of its time.

If I was going making a bigger list and throw in some classic shorts, I’d add the Comique series, Keystone shorts like The Knockout (1914), Mabel’s Trysting Place (1914) or Fatty’s Plucky Pup, Harry Langdon’s Saturday Afternoon (1925), and at least one Charley Bowers short–probably Egged On (1926). As far as more recent comfort films, they would be: Hook (a fave since I was a kid), The Devil Wears Prada (I never get tired of this chick flick), Marie Antoinette (2006) (the costumes! The settings! The history! So gorgeous and fascinating!), and Pirates of the Caribbean: The Curse of the Black Pearl (I seriously think it’s one of the best films of the 21st century).

Care to share your own list of comfort movies? Please do! The more suggestions there are, the more comfort we’ll have to go around.