My Top 10 Favorite Silent Films (So Far)

So I’ve been thinking: good ol’ Internet listicles are fun. And depending on the context, they can tell you a little about the writer, too. Here I’ve been publishing posts on our beloved old films week in and week out, and never thought to write the most basic one of all–a “my favorite silents” list. So allow me to tell you a little about myself.

Needless to say, picking just ten films was a task akin to scaling Mount Everest. I don’t know if my list is the most surprising one in the world (no worries, it’s not smugly crammed with obscure social dramas from Finland or something), but here it is, in no particular order–except for #1! (Links are included for the ones I’ve reviewed so far.)

10. Metropolis (1927)

metropolis-whore-of-babylon Continue reading

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Thoughts On: Murnau’s “Faust” (1926)

I always kick off the month of October with this Expressionist masterpiece. I hope you enjoy it–or will enjoy it–as much as I do!

Some of the greatest silent films can be described as collective dreams. They capture familiar legends, familiar places, and certain eras. These films are Art, and Art doesn’t age, not the way many older movies do. One of these works of Art is F.W. Murnau’s Faust (1926), a masterpiece of fantasy that’s often overlooked in favor of other German Expressionist works–such as Murnau’s own Nosferatu. Strange, considering that did nothing less than draw upon some of the most iconic imagery of good vs. evil in the world.

Faust Continue reading