It’s one of the most famous photos from silent comedy. Or from the silent era itself. Or, heck, from cinema itself. It’s the image that probably leaps to mind when you say “Keystone Kops.”
It’s also key to what I think is the ultimate championship trivia question: “This famous still comes from which lost film?” The winning answer–major props if you know it–is “In the Clutches of a Gang!” *Cue lots of applause and money showering from the ceiling*
For being such a wildly famous image, it’s surprising that In the Clutches of a Gang (1914) isn’t better known–as a title, at any rate. After all, the film itself has been lost for many decades, yet another casualty of delicate nitrate paired with the relentless march of time. What a pity that such a tantalizing piece of slapstick history should have been so thoroughly, and regrettably, lost.
Today let’s take a gander at Pictures and The Picturegoer, a British movie magazine that first came off the presses in 1911 and had a lengthy run until 1960 (it was eventually called just Picturegoer). The following cartoons, which filled in space at the editors’ whims, are all from October and November 1915 issues. They serve as fine opportunities for “humor archaeology”–in other words, trying to figure out what the heck they meant.
Here, for example, is “Film Titles Travestied.” Can you decipher it?
This is the final post for Forgotten Comedians Month. This past August was successful indeed–the heartiest of thanks to everyone who’s been following along these last few weeks! I’m sure Charlie Murray, Gale Henry, Musty Suffer, Charley Bowers, Louise Fazenda, and all the other forgotten folk appreciate it. (Oh, and Pimple. We mustn’t forget Pimple.) September’s looking mighty interesting, since in a matter of days a certain important film will be turning 100…
Are you in the mood for a short comedy? Would you like to watch something that’s off the beaten track? Do you have a hankering to see pompous orchestra leaders, ladies in men’s clothing, bathing beauties playing ball, and flower girls rolling down hills? If so, Hearts and Flowers (1919) may be the short for you!
Back when I first started watching Keystones, one thing that threw me right away was the over-the-top “mugging” of some of the actors. Seeing adults hop around like cartoon characters and make faces that toddlers would consider beneath them was startling, to say the least. While the sheer old-timey-ness of it was admittedly glorious, it sure took some getting used to.
Probably the worst offender for me at first was the energetic young Al St. John. His grimaces and hyperactivity drove me crazy…
…until I started getting more acquainted with him. After awhile I started to see that hey, he was a great acrobat and had a nice screen presence. And heck, his crazy style could be darn funny. Almost in spite of myself, I became a fan. And at one point I thought to myself, “Past Me wouldn’t have expected this, but I really like Al St. John now…however, if there’s anything on God’s green earth I do know…
“…it’s that I’ll never like that friggin’ Ford Sterling.”
Today, August 3, is the 103rd anniversary of when Keystone was officially incorporated on paper. Let’s celebrate by examining the life of the laugh company’s founder, Mack Sennett!
[Edit: I’m proud to say that this is also my 100th post! Woo-hoo!!]
Of all the bona fide legends of the silent film era–which include Eric von Stroheim, D.W. Griffith, George Méliès, Abel Gance, et al.–one of the most important is comedy pioneer Mack Sennett. Most people recognize his name, but the man himself is a bit elusive. What’s the story behind this person whose studio produced over a 1,000 films back in the early days of Hollywood?