One of my very favorite Georges Méliès films is Les Quat’Cents Farces du diable, literally translated as The 400 Tricks of the Devil. We just call it The Merry Frolics of Satan (1906), which is a title truly of its time. So is the film itself, but that’s why I love it so much.
While not as widely discussed as A Trip to the Moon and more familiar from clips turning up in documentaries on early cinema, it’s one of Méliès’s most elaborate works and a real treat for the eyes. Its plot can be…quite mystifying even if you’re paying close attention, so here’s a detailed recap (I believe some of the information originally came from the Star Film Company’s catalog): Continue reading
There is much to love about Georges Méliès. He was a technical wizard, a delightful performer, and an artist whose gorgeous work can still inspire awe. And charmingly, he was a man who believed in dreams. He captured many of them on the screen, one painted set at a time, and today they serve as reminders of an era more open to wonder.
Méliès’s films have a knack for taking us out of our comfort zones in the most enchanting way possible. They’re so old-timey to our eyes that they could almost come from a different planet. At times, we have to remind ourselves to stop holding them at arm’s length.
But to filmgoers in Méliès’s own time, the filmmaker’s work was not only exceptional but also familiar. In fact, he was drawing upon a long history of theatrical enchantment–specifically, the French theater genre of the féerie. Continue reading