Thoughts On: “The Night Of The Hunter” (1955)

Happy Halloween, my friends! I couldn’t resist putting this piece on one of my favorite films of all time–just in time for this spooky day, I might add. There is so much to say about this film that it easily could’ve been three times as long. Enjoy!

Some films transcend regular genres. They might draw on an eclectic mix of inspirations, from literature to art, and the result is a work of strength and imagination whose stature only increases with the passing years. You can hardly find a better example than the gothic masterwork The Night of the Hunter, most easily definable as a horror film (I know I can’t resist it every October).

The Night of the Hunter | film by Laughton [1955] | Britannica

The elements are familiar–riverside towns and the Great Depression, prayer meetings and Bible stories, fairytales and fables. It’s soaked in the atmosphere of what we’ve dubbed “southern gothic,” and softened by several haunting songs (few non-musicals would use songs more effectively). But it draws its greatest power on something less familiar to the modern viewer: the rich influence of silent film, particularly Expressionism and the work of D.W. Griffith.

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Who Was Gustav Von Wangenheim?

Nosferatu (1922) fans such as myself (and, hopefully, yourself) are highly aware of its iconic status, its gothic cinematography, and its limitless ways to inspire today’s filmmakers. It may not be as jump-out-of-your-seat scary as some later horror films, but we highly appreciate how it broke ground and managed to create a beautifully haunting atmosphere.

Oh, and we’re also well aware of this guy:

Gustav von Wangenheim | Explore Tumblr Posts and Blogs | Tumgir
Yup, that guy.

This acquired taste in human form is Gustav von Wangenheim, the source of a few unintentional chuckles in the early scenes of the movie. But maybe that’s a little harsh. As I wrote in my Nosferatu review, Gustav’s babyface and habit of laughing just a little too long actually make his later scenes with Count Orlok pretty effective–if a character that happy-go-lucky starts getting scared, it must be for a good reason.

Gustav von Wangenheim - Classic Monsters

In fact, his acting left enough of an impression that I decided to take a closer look at this young actor. How did he come to star in Nosferatu, and what happened to him thereafter?

Let’s just say his story…threw me for a loop.

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The Strange Saga Of “Nosferatu”

One of the few silent classics virtually anyone’s willing to watch, Nosferatu has been iconic practically since its release in 1922. The strange, hunched Count Orlok has a permanent place in cinema history, a unique pedestal that keeps him apart from the suave villains of later pop culture.

Max Schreck in Nosferatu, eine Symphonie des Grauens (1922)

I’ve reviewed this gothic masterpiece before, but didn’t delve much into the details of how or why it was made. A few of you may already know the tale, with its background of modern art, WWI, occultism, flu epidemics, and gleeful copyright infringement. But if not, do read on.  Continue reading

Caligari’s Controversial “Bookend” Scenes: Yea Or Nay?

In October, the cinephile’s fancy lightly turns to thoughts of German Expressionism. Accordingly, I thought we’d discuss an intriguing topic–those “bookend” scenes (otherwise known as a “frame story”) from The Cabinet of Dr. Caligari. 

Das Cabinet des Dr. Caligari (1920)

If you haven’t seen Caligari, be forewarned now that this post discusses spoilers–nay, it depends on spoilers. So if you haven’t gotten around to watching one of the most important films of the 20th century, well…ya oughta! Continue reading

7 German Expressionist Films You Probably Haven’t Heard Of

Aside from The Cabinet of Dr. CaligariNosferatu or Metropolis, how many German Expressionist films can you name? (Or maybe I should say, how many semi-German-Expressionist-ish films can you name? That’s an easier question.) After all, Caligari didn’t spring forth from thin air, and you’ve always heard that German Expressionism was kind of a big deal.

Image result for nosferatu

I guess this was influential, or something.

To help with that question, I’ve compiled a handy list of Weimar-era rarities that you may or may not have heard of before. Keep in mind that “true” German Expressionism is, technically, a very specific genre that used deliberately artificial-looking sets and props, and relied on emotion and psychology instead of realism. Thus, most of these entries are examples of that type of film. (By the way, if you’ve been following my blog for awhile, you’ll probably remember #1 and #2 since I covered them in the past. If you’re a newbie, though–enjoy!)  Continue reading

A Halloween Post Roundup!

Happy Hallowe’en, everyone!

This wonderful illustration is from Dennison’s Bogie Book, a book of Halloween decoration and party ideas that seems to have been published every year, with updates I presume. This comes from the 1925 edition–isn’t it priceless? Here’s another  illustration:

Related image

To celebrate this spooky holiday, here’s a roundup of all my Halloween-inspired posts from the past. Counting my posts from this month, this includes the films: Continue reading