To say that the gentle, baby-faced, cartoon-character-come-to-life Harry Langdon is not an obvious pick for a World War I-themed film might seem like a huge understatement. But funnily enough, there was something about the sight of Langdon’s innocent clown blundering through shell-pitted battlegrounds that worked. Was it the contrast, which was so stark that it became funny? Did the “Little Elf’s” bewilderment echo the disillusionment many folks had felt during those stressful war years?
In any case, Langdon would use WWI gags a bit more often than most clowns, in the short All Night Long (1924), the feature The Strong Man (1926), and the three-reeler Soldier Man (1926). Soldier Man in particular seems to get overlooked, which is a shame–many of the scenes and gags are certainly what I would call “classic Harry.” Continue reading