It’s an unfortunate fact that many stars are known mainly for a scandal or unfortunate demise. A lifetime of triumph and failure, hard work and reward, love and struggle–all are scoured away the second topics like “mysterious death” or “addiction” enter the picture. The individual involved dwindles down to a name, a “character” from long-ago times.
A prime example is Wallace Reid, major leading man of the 1910s and early 1920s. As a performer, he’s known mainly to silent film buffs. As a name, he has the sad distinction of being the first major Hollywood star to die of a drug addiction. “Drug addiction”–what a sledgehammer of a phrase. Decades of scandals have unfortunately accustomed us to scandals in Hollywood, but back in the early ’20s Reid’s death truly shocked the world.
But before we cover the tragic aspect of his life–and it was truly a tragedy–let’s get to know “Wally,” the well-liked Renaissance man whose good looks are at home in any decade. Continue reading →
So you think you have a decent understanding of Soviet cinema. Clever uses of montage? Check. Operatic storytelling? Check. Propaganda? Check. Maybe a tragic ending? Check. Those shots of people with alarmingly big smiles, usually because a tractor’s on the way to the collective farm or something? Double check!
Then along comes a film like The Extraordinary Adventures of Mr. West in the Land of the Bolsheviks (1924) (maybe the long title parodies dime novels?) and turns many of those stereotypes on their heads.
Okay, in this context “everybody” means “a decent selection of the silent film community.” And if you’re part of that decent selection, you might’ve already heard: Undercrank Productions is bringing two Douglas MacLean features to DVD!! With the help of fine fans like yourself, of course.
I’m sensing a lot of you are thinking: “Wait, who?” An understandable question. In an age when someone like Harry Langdon is deemed obscure, Douglas MacLean is practically obsolete. But that’s exactly why two of his surviving features should find new audiences. Like the work of other obscure figures such as Alice Howell and Marcel Perez, it shines a new light into some of the hidden nooks and crannies of early cinema. Continue reading →
One of the most famous quotes about the Jazz Age comes from F. Scott Fitzgerald himself–and no doubt you’ve heard of it: “I was the spark that lit up flaming youth, and Colleen Moore was the torch. What little things we are to have caused all that trouble.” But did you ever wonder where he wrote that quote?
According to one scholar, it was inscribed by Fitzgerald himself in a miniature volume of This Side of Paradise for the tiny library of Ms. Moore’s famed, beautiful, $500,000 “fairy castle” dollhouse. And that not only gives you a little taste of the success and popularity of this spirited actress, but also of her girlish, whimsical nature that so appealed to countless audiences back in the silent days.
Looking for something light and entertaining to watch on a quiet evening? Something in the realm of the “chick flick,” perhaps, but not too chick flicky? Allow me to suggest the charming Constance Talmadge comedy Her Sister From Paris (1925).