It was one of the most culturally important films of the 1920s, the one that made Colleen Moore a star and made “flapper” part of every American’s vocabulary. Her delightful performance is arguably the highlight of the film…or so we can assume, because sadly only a fragment of the influential Flaming Youth (1923) still remains. But thank heavens for that fragment–not all lost films are as lucky.
Few things are more surreal than looking through a 100-year-old movie magazine only to see a title like this staring up at you! One of many, many, many lost films, In the Year 2014 (1914) was a split-reel comedy meant to be enjoyed for a day or two and then replaced by the next comedy.
It was also one of many, many, many Joker comedies from a time when little films were “ground out like sausages,” as the saying often went. Joker, the slapstick branch of the Universal Film Manufacturing Company, was created to compete with Keystone comedies. Its films are thought to have been slapdash and silly–“thought,” because unfortunately the majority of them are lost. The titles will fill you with longing: Love, Roses and Trousers, At the Bingville Booster’s Barbecue, The Mechanical Man, and one of my favorites, Lady Baffles and Detective Duck in the Great Egg Robbery.
Ah, movies! We see them on T.V., play them on DVDs and watch them on Netflix and YouTube. We rave about them, argue about them and sprinkle our social media with photos and GIFs from them. Some of us, hopefully, even see movies in a theater.
With movies practically coming out of our ears, it’s bizarre to hear that the vast majority of silent era films are lost. This doesn’t seem to make sense–how the heck can a film be “lost”? Why, it’s just kind of there, on the screen. It’s not is the same kind of object as a painting or a book…right? Continue reading