Happy Fourth of July weekend, fellow Americans! And I suppose I can wish a Happy Independence Day of sorts to the U.K. too, yes?…No? Too soon? But…but why?
In the ’20s, as part of the “fun cheesy photos for the holidays” tradition, it was popular for actors (mainly actresses) to pose in gag photos with fireworks, some of which were comically gigantic. The June 30, 1928 Exhibitor’s Herald and Moving Picture World featured this spread, which included our Louise Fazenda:
As a chaser, here’s the always-adorable Baby Peggy (from the Exhibitor’s Herald, July 21, 1923):
And of course, no matter where you are, have a lovely weekend because everyone deserves to have a lovely weekend. More posts are on the way once we’ve all recovered from any and all festivities!
I’m excited to have a little bit of Keystone month coincide with the Anti-Damsel Blogathon, hosted by The Last Drive In and Movies Silently. This ‘thon is devoted to take-charge women of films, both in front of and behind the screen. And really, who could be more take-charge than the Keystone ladies? Thanks for reading, and I hope you take time to read more of the great posts this weekend!
Everyone has heard the name of the great Mabel Normand–the spunky, athletic gal with Gibson Girl looks and just a touch of wistful grace. Back in the early 1910s “Madcap Mabel” was arguably the Keystone Film Company’s breakout star. Even today, her name is synonymous with the comedy studio.
But Mabel wasn’t the only funny lady at Keystone. There were many gals who worked at the Fun Factory, and there were three in particular whose talents shined almost as bright as Mabel’s. They were fearless, smart, and funny performers–Keystone simply wouldn’t have been complete without them. Let’s shine some spotlights on the considerable talents of Polly Moran, Minta Durfee and Louise Fazenda. Continue reading →