I’m excited to have a little bit of Keystone month coincide with the Anti-Damsel Blogathon, hosted by The Last Drive In and Movies Silently. This ‘thon is devoted to take-charge women of films, both in front of and behind the screen. And really, who could be more take-charge than the Keystone ladies? Thanks for reading, and I hope you take time to read more of the great posts this weekend!
Everyone has heard the name of the great Mabel Normand–the spunky, athletic gal with Gibson Girl looks and just a touch of wistful grace. Back in the early 1910s “Madcap Mabel” was arguably the Keystone Film Company’s breakout star. Even today, her name is synonymous with the comedy studio.
But Mabel wasn’t the only funny lady at Keystone. There were many gals who worked at the Fun Factory, and there were three in particular whose talents shined almost as bright as Mabel’s. They were fearless, smart, and funny performers–Keystone simply wouldn’t have been complete without them. Let’s shine some spotlights on the considerable talents of Polly Moran, Minta Durfee and Louise Fazenda. Continue reading →
Back when I first started watching Keystones, one thing that threw me right away was the over-the-top “mugging” of some of the actors. Seeing adults hop around like cartoon characters and make faces that toddlers would consider beneath them was startling, to say the least. While the sheer old-timey-ness of it was admittedly glorious, it sure took some getting used to.
Probably the worst offender for me at first was the energetic young Al St. John. His grimaces and hyperactivity drove me crazy…
…until I started getting more acquainted with him. After awhile I started to see that hey, he was a great acrobat and had a nice screen presence. And heck, his crazy style could be darn funny. Almost in spite of myself, I became a fan. And at one point I thought to myself, “Past Me wouldn’t have expected this, but I really like Al St. John now…however, if there’s anything on God’s green earth I do know…
“…it’s that I’ll never like that friggin’ Ford Sterling.”
If you are intent on becoming a Keystone Film Company afficionado, as most people are, am I right, an essential film to have under your belt is the cute and charming split-reeler Bangville Police (1913).
This might be the film that you most often hear associated with the Keystone Kops, even though it was made relatively early in Keystone’s history. In 1913, Sennett’s company was still getting its footing, although its popularity was beginning to skyrocket. Continue reading →
Greetings and welcome to…KEYSTONE MONTH!! (There are simply not enough exclamation points.) Let’s get this extended tribute to the comedy company started with some background and historic context (two of my favorite things!).
This article originally appeared in the spring 2015 issue of The Keaton Chronicle, a quarterly publication of the International Buster Keaton Society.I am beyond pleased to be presenting it here on Silent-ology, with a couple bonus photos and clippings too!
If you ask Buster Keaton fans to name their favorite leading lady, chances are they’ll respond right away with “Sybil Seely.” Charming, natural and gracefully spirited, the brunette ingénue appeared in only five shorts with Buster but has been leaving a fresh impression on viewers ever since.
Even with all the praise, little has been known about Sybil. Who was this young woman who just happened to enhance some of the greatest short comedies of all time? Continue reading →
I am pleased to be a part of the Shorts! Blogathon hosted by Movies Silently. Thank you so much for stopping by, blogathon readers–make yourself comfortable and be sure to check out all of the other great posts this weekend too!
Hold onto your too-small derbies, folks! It’s time to turn your attention to one of Roscoe “Fatty” Arbuckle’s most overlooked short comedies–a two-reel gem. (Although, in fairness, Roscoe could’ve turned any film into a comedy gem just by wandering into it by accident.) The film is His Wife’s Mistake (1916), and why no one ever seems to discuss it is beyond me.