In its review of The Blue Bird back in 1918, The New York Times declared, “…It is a safe assertion to say that seldom, if ever, has the atmosphere and spirit of a written work been more faithfully reproduced in motion pictures.” This observation holds true today, but with a twist for “we moderns.” For this film embodies the spirit of Edwardian fairytales and indeed many old European fairytales so thoroughly that for us, it could almost be from another planet. And for those of us willing to experience The Blue Bird today, that’s a good thing.
Out of all the silent film genres, one of the most popular is probably horror. Even people who don’t watch anything made before 1930…or, well, 1960…or, let’s face it, 1997…don’t mind tuning into Nosferatu or The Phantom of the Opera. What was freaky then is usually still freaky now, and at any rate it’s always fun to see what used to scare the knickerbockers off our great-grandparents.
But I’ve been thinking. It’s occurred to me that the mere banner of “silent horror” simply isn’t enough. No, I’m going to vote that we add a new genre–or subgenre, if you will. And it shall be called: “Silents That Would’ve Terrified Me as a Child.” Continue reading