Man, I couldn’t help cringing while writing the title of this post–because from that alone, this film sounds so cool. This is a vampire tale? From the year 1920? And it’s a German Expressionist film, you say? By Robert Wiene, the director of The Cabinet of Dr. Caligari, you say?! This must be a forgotten gem!! An obscure work of genius, just begging to be rediscovered by eager new audiences and then extolled as one of the unsung masterpieces of early experimental cinema!!
HOLY FREAKIN’ HARRY LANGDON, LOOK AT THAT ART DESIGN!!
Well, I’m here to confirm that it’s………..not. It’s just not. It’s not any of those things. Well, okay, it is a German Expressionist film from 1920 directed by Robert Wiene, but a cinematic masterpiece? Oh good heavens, no. Continue reading →
In its review of The Blue Bird back in 1918, The New York Times declared, “…It is a safe assertion to say that seldom, if ever, has the atmosphere and spirit of a written work been more faithfully reproduced in motion pictures.” This observation holds true today, but with a twist for “we moderns.” For this film embodies the spirit of Edwardian fairytales and indeed many old European fairytales so thoroughly that for us, it could almost be from another planet. And for those of us willing to experience The Blue Bird today, that’s a good thing.