During the heyday of Rudolph Valentino, studios scrambled to find their own versions of a “sheik”–that passionate, menacing “exotic” lover women’s hearts were fluttering over (who also guaranteed plenty of box office gold). Actors from the steady Milton Sills to dashing Antonio Moreno were considered worthy rivals, but perhaps the worthiest one of all was the talented, gentlemanly Ramon Novarro.
Post #1 of Sheik Month is here! Hope you enjoy!
We’re all familiar with stereotypical 1920s flapper–the fun-loving, trendy young woman who loved Jazz, dancing, and all things “modern.” But arm in arm with the flapper was the 1920s sheik, their male counterpart. There’s plenty of discussion about flappers nowadays, but there’s comparatively little discussion about sheiks, and the sort of factors that lead to their place in pop culture.
But “sheik culture” is an important piece of the Jazz Age puzzle. Its advent spurred numerous discussions about movie romance, masculinity and female desire. And its impact on American cinema was tremendous–in fact, you could easily categorize screen romance as B.V. (Before Valentino) and A.V. (After Valentino). Continue reading
Here’s a find from a 1926 issue of Motion Picture Classic, featuring the very-popular Ramon Novarro (who appears to be sporting a little mustache). Just about anyone loves to sigh over that elegant ’20s evening wear, from the silk top hats to the dresses dripping with pearls. Here’s a breakdown on how much it took for your average male movie star to look like the Toast of the Town: