Making most lists of the top ten greatest films ever made is Carl Theodor Dreyer’s The Passion of Joan of Arc (1928). And indeed, you suspect a spot had always been reserved for it. A critic from as far back as 1929 was moved to declare, “It makes worthy pictures of the past look like tinsel shams.”
Those unacquainted with The Passion might not be prepared for it. It doesn’t lead you from plot point to plot point, but throws you into an experience. It’s intensely, harshly realistic, but within a mildly expressionistic setting. We’re meant to contemplate Joan’s ordeal, linked thematically with the most widely contemplated ordeal in history. A critic I admire said it best: “I know of movies more theologically profound or more pious, but none more evocative of what it means to share the sufferings of Christ.” Continue reading