This is my own contribution to the Second Annual Buster Keaton Blogathon. I hope you enjoy!
Buster Keaton fans are well aware of his much-discussed, sometimes-derided 1930s MGM talkies (and more than a little of that derision came from Buster himself). Speak Easily, Doughboys, and Sidewalks of New York are a few of the titles that pop up in conversation after online conversation–features that used the multi-talented director Keaton solely as an actor, and showed it.
But if there’s one Keaton feature that’s rarely discussed, either by fans or historians, it’s Le Roi des Champs-Élysées (1934). This independent French film was made about a year after Keaton was dismissed from MGM Studios. The sad story of that dismissal is all too familiar to fans–a slow downward spiral of unhappiness at work and unhappiness at home, and the bottom of bottle after bottle. But if there was ever a sign of hope in those dark, frightening months of blackouts and sanitariums, it can be found in this overlooked film. Continue reading