So here’s a post I couldn’t quite fit into my Soviet Silents Month schedule. The idea was there, but the time? Not quite there. (I could’ve used a few extra, err, years for that month’s research.) But I decided to dust the idea off and post it now, because after watching these films I need to know that others have experienced them, too. I need that kinship. That camaraderie. I’m not trying to say that watching these shorts brings on a creeping sense of Kafkaesque dread, but I’m sure not denying it, either.
If you’re in need of a major distraction, look no further than these curious examples of silent Soviet animation–because you’ll find it impossible to look away. But a word of caution: if it’s bedtime and you’ve just eaten something weird, believe me, these will not help the nightmares. Consider yourself forewarned. Also, just wanted to say right away: I am sorry. Continue reading →
In any artistic field–Impressionist painting, modern architecture, ballet, indie folk rock, you name it–there are always a few names more memorable than the rest, and the field of silent filmmaking is no exception. We all recognize the big names like Gance, von Stroheim, Chaplin, Griffith, and so on. But the list of who we personally find most memorable is probably pretty eclectic–my own includes folks like Roscoe Arbuckle, Charley Bowers, and Karlheinz Martin (long story). To that list I’m happy to add the name of Ladislas Starevich–or Władysław Starewicz, Ladislav Starevich, Ladislaw Starewitch, or any of his other varied spellings (pick your favorite).
In photos, the somber-looking Starevich seems like he’d be home in a lab coat working on mysterious chemical experiments. You wouldn’t suspect that in reality, he created an imaginative body of work showcasing some of the most whimsical–even slightly macabre–visions in early film. An artist ahead of his time, once you’ve seen his work you won’t soon forget it.
What is the world’s oldest animated film? Or rather, knowing film history–what’s the world’s oldest surviving animated film? Many sources will point to the cartoon Humorous Phases of Funny Faces (1906) or “trick film” The Enchanted Drawing (1900), which used stop motion to make a cartoon face change expressions. But chances are you might’ve stumbled across a few sources making the case for an obscure short called Matches: An Appeal–said to have been produced in 1899.
It’s a pretty cute little film, too. Via the magic of stop motion, two small figures made of matchsticks work together to write an “appeal” asking the public to donate money to send matches to needy soldiers. To be precise, they write: “For one guinea Messrs Bryant & May will forward a case containing sufficient to supply a box of matches to each man in a battalion with the name of the sender inside. N.B. Our soldiers need them.” The stop motion is surprisingly sophisticated for its early date–perhaps a little too sophisticated.
Time to fall down a research rabbit hole! Always one of my favorite hobbies. Continue reading →
UPDATE 7/18/19: And the winner of the Charley Bowers Blu-ray set is….
Congratulations David! We will be in touch. I hope you enjoy these Charley Bowers shorts as much as I do! And thank you to all who entered–this was a popular giveaway!
Calling all silent comedy fans!! Flicker Alley has a very exciting new release: a Blu-ray set of 17 shorts by the one and only Charley Bowers! And when I say “one and only,” I’m not just using a cliché–obscure comedian Bowers was truly one of the silent era’s most, err, creative individuals. Not familiar with this highly unique genius? (Admittedly, most people on the planet are not. Sadly.) Allow me to give you a brief introduction:
A former cartoonist, Bowers became the head animator for the 1910s Mutt and Jeff cartoon series before becoming fascinated with stop motion animation. In the mid-1920s he created a series of comedy shorts starring himself as a vaguely Keatonesque character with a love of crazy inventions. These shorts were basically showcases for his “Bowers process,” as he grandly dubbed his stop motion animation skills. In the trades they were advertised as “Whirlwind Comedies.” Continue reading →