Book Review: “How To Film Moving Pictures in the 1910s” by Darren Nemeth

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I’m happy to say that the author of 1907 Chicago Projecting Co’s Entertainer’s Supplies Catalog No. 122: Deluxe Reprint Edition has done it again! (Have you not read 1907 Chicago Projecting Co’s Entertainer’s Supplies Catalog No. 122: Deluxe Reprint Edition? You should!) This time, as part of his newly-dubbed “Moving Picture Reprint Series,” Darren Nemeth is offering How To Film Moving Pictures in the 1910s. Much like his first book, it already promises to be an important part of my film history library. Continue reading

“Natalie Marries Buster Keaton”–An Interesting Book Excerpt

So lately I’ve been investigating two of the most overlooked stars of the silent era, Norma and Constance Talmadge, and their sister Natalie (Buster Keaton’s first wife). While Norma and Constance were once wildly popular, critically praised, and well-liked by their Hollywood co-stars, they’ve become surprisingly obscure. And unfortunately, a kind of bizarre mythology has grown up around all three sisters–a mythology that’s painted them as cold, snobby, and somewhat scheming (mainly in pretty much every Buster Keaton book ever, unfortunately).

Clearly coming up with evil schemes. (Image credit: Wisconsin Historical Society)

From what I can see, much of this is due to Anita Loos’s gossipy, jumbled book The Talmadge Girls, published in 1978, otherwise known as “several years after all the Talmadges were safely dead.” It’s been decades since the silent era, many books have been written about every silent star imaginable, and yet this–this–is still the only book available on the Talmadges.

 …Or is it? Ah, my friends, there was one other book, published in 1924, called The Talmadge Sisters: Norma, Constance, Natalie, written by their mother Margaret “Peg” Talmadge. It’s difficult to find but well worth a read (I recommend doing an interlibrary loan). Whether it was ghostwritten under the family’s watchful eye or whether Peg did sit down at her typewriter is hard to tell, but it’s quite fascinating, released as it was during the heights of the girls’ careers and giving us their detailed story decades before folks like Loos got their hands on it. The style can be sentimental and romanticized (as all the 1920s “life stories of the stars” books are), but not to the point where I felt the whole thing was complete hokum (unpleasant details, like Peg’s husband abandoning the family, are simply not mentioned).

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The Talmadge ladies travelling.

I’ll have to review it in near future (a double review with the Loos book may be in order), but thought I’d copy down the chapter that fascinated me the most. For such a “cold and snobby” family, as Keaton bios will state, Peg included an entire chapter on her son-in-law Buster and ended it with some pretty thoughtful and generous complements. It also includes much of the old “how Buster got his nickname” kind of lore, and it’s interesting to see how consistent certain stories were throughout his life.

Here it is–hope you enjoy! Any unusual spellings are original to the 1924 book.

CHAPTER XI

NATALIE MARRIES BUSTER KEATON

After our return from Europe, Natalie’s letters and telegrams from Buster became more and more frequent, so that none of us was surprised when, while we were at Palm Beach, where Norma was taking some scenes for one of her pictures, Buster wired Natalie that he would meet her in New York and that she had better be prepared to give an answer to an important question! Continue reading

See Ya, 2017: The Silent Community Year In Review

Happy 2018, everyone! Now that 2017 is officially  behind us, once again it’s time to recap the various silent film-related discoveries, restorations, events, DVD/Blu-ray/book releases, etc. from the past 12 months.

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Louise is ready to help you with your New Year’s resolutions!

Now, I normally keep a running file of these kinds of stories which I update whenever they catch my eye. A couple months ago, however, my 9-year-old laptop breathed its last (or maybe it drowned–I kind of spilled water all over its keyboard). I had copies of nearly every file I owned backed up online–EXCEPT for, you know, a couple irreplaceable things like my 2017 film news file. Yes, about 15 dumb memes were safely tucked away but NOT THAT FILE. So forgive me if I missed anything absurdly obvious–I tried my best to get caught up again! Continue reading

Book Review: “The Silent Films of Marion Davies” By Edward Lorusso

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For decades, silent star Marion Davies was known mainly for two things: for being the mistress of uber-powerful newspaper magnate William Randolph Hearst, and for supposedly being the inspiration for the untalented Susan Alexander in Citizen Kane. Well, the latter isn’t true–Susan was based on the wife of a different uber-powerful magnate (as Orson Welles himself finally revealed). And as for the former, while Marion was certainly part of a faithful “arrangement” with Hearst right up until his death, it didn’t define her. A look at her films proves that she was a warm, hardworking, immensely talented woman who likely had the charisma to make a name for herself in Hollywood without Hearst’s help. (I’d say she was mighty lucky to have him on her team, but she was already working on her acting career before he swooped in with 5-gallon buckets of money.)

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Book Reviews: “Keaton” By Rudi Blesh And “Tempest In A Flat Hat” By Edward McPherson

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As part of the ongoing, year-long celebration of his 1917 entry into films, I will periodically review the prominent books on Buster Keaton. Here’s my take on two of the more widely read biographies out there:

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One of the great classic film biographies, Keaton–along with Buster’s own autobiography–is an absolute must for anyone looking to learn more about our favorite straight-faced comedian in a porkpie hat.  Continue reading

Book Review: “Bebe Daniels: Hollywood’s Good Little Bad Girl”

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Classic film fans who are curious enough about early Hollywood history to look beyond familiar stars like Clara Bow or Louise Brooks and seek more obscure personalities might be amazed by how many there were. Dozens of actors and actresses are forgotten today, but were once familiar sights in theaters across the nation. They were beloved by fans and left their own unique marks on pop culture–sometimes in careers that spanned decades. Take Bebe Daniels, for instance. Continue reading

Book Review: “1907 Chicago Projecting Co.’s Entertainer’s Supplies Catalog No. 122”

Now this isn’t a book you get to review every day! Technically, the full title is: 1907 Chicago Projecting Co’s Entertainer’s Supplies Catalog No. 122: Deluxe Reprint Edition, since this is the catalog’s first reprinting in over 100 years. Yes, the last time film exhibitors set eyes on this book’s contents was seven years before WWI–back in the era of vaudeville and nickelodeons! Continue reading

Book Review: “The First King of Hollywood: The Life of Douglas Fairbanks”

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When you think of the figures in film history that are household names, several examples spring to mind: directors like Alfred Hitchcock, Steven Spielberg, and Orson Welles, and actors like James Stewart, Marilyn Monroe, and Marlon Brando. How about really early Hollywood names? Well, there’s Charlie Chaplin, you say. And also…well…err, yes, Chaplin.

But if there’s any name that (also) deserves a status in film history as large as the heads on Mount Rushmore, it’s DOUGLAS FAIRBANKS. Continue reading

Farewell, 2014: The Silent Community Year In Review

Well, folks, everyone’s doing some sort of “year in review” post this week, and Silent-ology isn’t one to ignore a tradition. We’re going to run down some of the highlights and news items that the silent film community was buzzing about in 2014 (this is by no means comprehensive but let me know if there’s anything major I missed): Continue reading