Largely forgotten today, the boyish Charles Ray was once a bright Hollywoodland light. The most prominent actor to specialize in gosh-and-golly “hick” characters–with much-lauded touches of subtlety and pathos–Ray helped make the rural melodrama a much-loved genre of its own. And he may also have been influential in ways we wouldn’t guess today.Continue reading
“Honor” has become a foreign term to us today. The idea of defending one’s honor seems quaint, and even funny–think of Oliver Hardy in Tit for Tat (1935), accused of fooling around with a man’s wife. Indignant over this smear, he declares dramatically: “My character. It has been ‘smirched. Ruthlessly dragged through the mud and mired…Never let it be said that a Hardy’s spotless reputation should be so maliciously trodden upon!”
We of course laugh at Ollie’s melodrama. But there was a time when honor did indeed have the utmost importance in many people’s lives. It was the backbone of numerous old families, the foundation of their day-to-day routines, and was expected to be defended quite literally to the point of death. Can we even wrap our minds around a time when parents would be crushed by the idea of their son not volunteering to go to war? I can’t think of a better illustration of this seemingly inscrutable mindset than The Coward (1915), one of the most riveting Civil War dramas of the silent period.