At the precise moment this post is going live, it is 11 a.m. in Belgium and France. This marks 100 years to the minute since World War I’s official ceasefire took effect at 11 a.m., November 11, 1918. After years of constant gunshots and shellfire, the final shots rang out in the same place they began–in Mons, Belgium. The last soldier to fall was American private Henry Gunther, who was killed by automatic fire in the village of Chaumont-devant-Damvillers, France, at 10:59 a.m.
Soldiers celebrating the end of fighting.
Millions had died from 1914 to 1918–far too many for our minds to comprehend, try though we might. And millions more died when the Spanish flu epidemic swept across the globe in 1918. But on that first Armistice Day, everyone allowed themselves to rejoice–to rejoice in the bloody struggle’s end, and perhaps to rejoice in life itself, fleeting as it was. Continue reading
To say that the gentle, baby-faced, cartoon-character-come-to-life Harry Langdon is not an obvious pick for a World War I-themed film might seem like a huge understatement. But funnily enough, there was something about the sight of Langdon’s innocent clown blundering through shell-pitted battlegrounds that worked. Was it the contrast, which was so stark that it became funny? Did the “Little Elf’s” bewilderment echo the disillusionment many folks had felt during those stressful war years?
In any case, Langdon would use WWI gags a bit more often than most clowns, in the short All Night Long (1924), the feature The Strong Man (1926), and the three-reeler Soldier Man (1926). Soldier Man in particular seems to get overlooked, which is a shame–many of the scenes and gags are certainly what I would call “classic Harry.” Continue reading