There’s a lot of legendary lost films that everyone wants to see, like Browning’s London After Midnight, the Laurel and Hardy silent Hats Off, Murnau’s late silent feature Four Devils, and so on. But I’m sure every silent fan has their own personalized “wish list” of lost films they’d really, really love to see. My own is a bit silent comedy-centric and Griffith-centric, because I love a good comedy (duh) and I’m a big fan of Griffith’s wonderful stock company (Marsh, Harron, Gish–priceless!). So here’s my list of films that I’m crossing my fingers will turn up some day. I wrote it as a “top ten” list, but just know that only #1 is truly ranked:
10. Back to the Kitchen (1919)
Many of Louise Fazenda’s starring comedies with Mack Sennett have vanished, and that’s a shame, because as you guys know I’m a big fan of this highly-overlooked comedienne. She usually played a “kitchen slavey” or other type of working girl who’s either revealed to be an heiress or is fought over by determinedly inept suitors. It’s very hard to decide which short I’d like to see best, but I actually own the above lobby card for Back to the Kitchen (1919) so it’d be mighty special to see it!
A version of this article originally appeared on Classic Movie Hub, where I write a monthly column on silent films. It was an eye-opening one to research–hope you enjoy!
Much like we still do today, silent era audiences flocked to big budget spectacles, as well as thrillers, witty comedies and other crowd pleasers (well, maybe “witty comedies” are a rarity nowadays). If you found a list of the top box office attractions in the 1910s and 1920s, a lot of titles will be pretty familiar: Ben-Hur, Intolerance, The Hunchback of Notre Dame, Robin Hood. What is allegedly the biggest hit of the entire era, The Big Parade, might ring a bell too.
As might this movie.
But there are other titles in those “top grossing” lists that have fallen into obscurity. Some of them might surprise you–who ever said that subtly-acted, bittersweet dramas can’t attract masses of viewers? With that in mind, here’s a look at eight of those forgotten “moneymakers”! Continue reading →
It was called spellbinding, striking, “one of the greatest of pictures.” It received ecstatic reviews by critics and transfixed audiences across the nation. It was the great drama The Miracle Man (1919), which not only ended up earning many times its modest budget, but made stars out of its three leads: Thomas Meighan, Betty Compson, and of course, the legendary Lon Chaney.
Naturally, like many other fascinating-sounding silents from the 1910s, The Miracle Man is lost. But in this case, fate has provided us with a rare silver lining. Thanks to compilation film The House That Shadows Built (1931), made in honor of Paramount studio’s 20th year, a couple minutes of footage have survived–including its most famous scene, where Chaney’s character pretends to experience a miraculous healing. Imagine if we had even one minute of London After Midnight! Continue reading →
Per a reader’s request, here is a piece on one of the greatest and most respected silent film legends–Lon Chaney. As you read this, I am currently at the San Francisco Silent Film Festival–and yes, I’ll be recapping every moment of it!
There was a popular, widespread joke back in the 1920s–“Don’t step on that spider, it might be Lon Chaney!” A joke which, of course, referred to his remarkable use of makeup and acting skills to create bizarre characters who stick in the popular imagination. Indeed, Chaney was one of the rare actors who was so skilled that he became a legend in his own time, graced with the title “The Man of a Thousand Faces”–a title which is linked with his name to this very day.