FOR IMMEDIATE RELEASE: It has come to our attention that many in the classic film community–of which the silent film community is a small yet passionate subset–have been somewhat misinformed about a particular character trope of the early 20th century.
Namely, that upon viewing certain 1920s films with the promise of having “vampires” in their plots, the said movie watching experiences don’t appear to reveal any bloodsucking, cape-wearing, pasty-faced monsters from the grave.
This prompts various IMDb reviews to say: “So there’s definitely no vampires in this movie…” or, “The gal in this film was a piece of work, but definitely not a vampire.”
Today, let us extend a suitably theatrical nod toward the “vamp.” That wicked temptress of yesteryear, pale-skinned, alluringly dressed, leading respectable gentlemen to their doom. And don’t forget the copious amounts of kohl eyeliner, which made them appear like the Victorian-themed dream of a goth kid who fell asleep still clutching his dog-eared Edgar Allan Poe book.
Whence came the vamp? Short for “vampire,” the word meant a female seductress with an almost supernatural ability to drain male victims not of their blood, but of their…life force. Or something like that. Ask someone from the 1910s to name a vampire, and they were just as likely to say “Theda Bara” as “Count Dracula.” If not more so. Continue reading →