Have you ever had an actor who grew on you? Someone you really didn’t care for at first, but who finally won you over? For me, it was a comedian you may or may not have heard of: Al St. John, nephew of Roscoe “Fatty” Arbuckle and a key player at the legendary Keystone Film Company.
Why didn’t I care for him? Well…
Let’s just say he was a little much. But only at first! …Let’s take a look. Continue reading →
Have you ever wondered: What was the very first western ever made? It would have to be a film older than a Tom Mix or William S. Hart flick, and even older than the mini-dramas by Biograph or Vitagraph. Many who’ve debated this subject will point to an Edison short, Cripple Creek Bar-Room Scene, which is less than a minute long, is more “vignette” than “plot-driven,” and was shot a swell 120 years ago. I’m gonna point to it, too.
I’ve been drawn to this ancient little film in the past mainly because of one thing: this still photo, likely taken so Cripple Creek could be registered for copyright. Let’s take a minute and just look at it.
Among the ranks of the many forgotten silent actors and actresses who specialized in similar kinds of dramatic roles or comic “types,” there were a few who were a little more unique. One was the actress Josephine Workman, aka “Princess Mona Darkfeather,” who (believe it or not) wasn’t actually an Indian princess and whose possible American Indian ancestry is a big question mark. But for much of the 1910s she was very popular among the moviegoing public–and, she was certainly a part of the development of the Western genre.