In any artistic field–Impressionist painting, modern architecture, ballet, indie folk rock, you name it–there are always a few names more memorable than the rest, and the field of silent filmmaking is no exception. We all recognize the big names like Gance, von Stroheim, Chaplin, Griffith, and so on. But the list of who we personally find most memorable is probably pretty eclectic–my own includes folks like Roscoe Arbuckle, Charley Bowers, and Karlheinz Martin (long story). To that list I’m happy to add the name of Ladislas Starevich–or Władysław Starewicz, Ladislav Starevich, Ladislaw Starewitch, or any of his other varied spellings (pick your favorite).
In photos, the somber-looking Starevich seems like he’d be home in a lab coat working on mysterious chemical experiments. You wouldn’t suspect that in reality, he created an imaginative body of work showcasing some of the most whimsical–even slightly macabre–visions in early film. An artist ahead of his time, once you’ve seen his work you won’t soon forget it.