They shall grow not old, as we that are left grow old:
Age shall not weary them, nor the years condemn.
At the going down of the sun and in the morning
We will remember them.
–From “For the Fallen” by Laurence Binyon
After four years of the extended commemoration, we’ve reached the very tail end of World War I’s centennial (not counting 2019’s recognition of the 1919 Treaty of Versailles–don’t worry, WWI buffs, I haven’t forgotten). So it’s fitting that in these final days of 2018, the new war documentary They Shall Not Grow Old should be in theaters (limited numbers of screenings and all).
What’s also fitting, in my opinion, is that Peter Jackson is at its helm. He’s proved in the past that with care and preparation he can churn out stunning works like the Lord of the Rings trilogy (which has a practically transcendent effect on me to this day–by the way, that Hobbit trilogy doesn’t exist). They Shall Not Grow Old is an excellent addition to his filmography, and is certainly a milestone within the genre of war documentaries. Continue reading
To say that the gentle, baby-faced, cartoon-character-come-to-life Harry Langdon is not an obvious pick for a World War I-themed film might seem like a huge understatement. But funnily enough, there was something about the sight of Langdon’s innocent clown blundering through shell-pitted battlegrounds that worked. Was it the contrast, which was so stark that it became funny? Did the “Little Elf’s” bewilderment echo the disillusionment many folks had felt during those stressful war years?
In any case, Langdon would use WWI gags a bit more often than most clowns, in the short All Night Long (1924), the feature The Strong Man (1926), and the three-reeler Soldier Man (1926). Soldier Man in particular seems to get overlooked, which is a shame–many of the scenes and gags are certainly what I would call “classic Harry.” Continue reading
On this day back in 1918, the French cruiser Dupetit-Thouars was torpedoed and sunk by a German submarine, and the Second Battle of the Marne ended.
When Chaplin decided in the spring of 1918 that the setting for his next comedy would be the trenches of the Great War, many of his friends and coworkers were concerned. How could anyone insert slapstick routines into such a brutal conflict? How could that possibly be done in good taste?
As it turns out, they needn’t have worried. The idea was, after all, in the capable hands of Charlie Chaplin itself. The resulting Shoulder Arms (1918) turned out to be both a great success in its time and a classic comedy for us today. Continue reading
This is the first post of WWI in Film Month, commemorating the Great War’s centenary.
On this day back in 1918, the Battle of Soissons in France ended with the Allies retaking Soissons, and Japan landed troops at Vladivostok, Russia.
When the year 1914 dawned, few imagined it would be the game changer of the 20th century. Certainly the world had been rapidly evolving for some time, right before peoples’ eyes–transportation and communication had been accelerating, economies had been booming and entwining with other economies, and industrialization had been taking place on a huge scale. There was relative peace, most of the recent wars being smaller-scale conflicts. One such war was the Greco-Turkish War of 1897, the first war filmed by a movie camera (wielded by the adventurous Frederic Villiers).
A street in an Ohio city circa 1914.
For there had also been a rise in new art forms, most significantly, the language of cinema. Youth in 1914 were part of the first generation to grow up with moving pictures, and millions of those same youth would fight in the first major war to ever be captured extensively by moving picture cameras. Continue reading
This is my World War I in Classic Film Blogathon post, complete with SPOILERS. There’s lot of awesome posts to read here at Silent-ology today, and there will be more over at Movies Silently tomorrow. Thanks for reading!
By 1917, World War I had been raging for nearly three years. Europe was reeling from the ever-increasing death tolls and relentless destruction of cities, villages, and farmlands in France and Belgium. The scale of the war, involving all the nations with the most economic power at the time, truly deserved the phrase “unlike anything the world had ever seen.”
The U.S. had managed to stay neutral throughout most of the conflict, which was starting the leave the more battered European nations at their wits’ end. At some point in the winter of 1916 and 1917, the British War Office Cinematograph Committee decided to contact the one person who they felt could change the minds and emotions of the American people…none other than D.W. Griffith, who had recently completed Intolerance. Propaganda films were common at the time, and the Committee reasoned that Griffith, King of Filmmakers, would be certain to turn out an excellent propaganda film that would inspire Americans to finally join in to help defeat Germany. Continue reading
UPDATE: Day 2 of the blogathon has begun over at Movies Silently! Be sure to drop in and see all the other posts we have lined up for you. p.s. Still have a post that isn’t listed yet? Just send me the link and I’ll add your article to the list below.
It has arrived! Welcome, readers and bloggers, to the World War I in Classic Film Blogathon, co-hosted by me and Movies Silently. Continue reading