100 Years Ago, Flapper Culture Officially Became A Phenomenon

Colleen Moore on being a Flapper 1922 | Colleen moore, Photo, Silent film

2022 marks the centenary of a very specific social phenomenon–1920s flapper culture. That’s right, I’m saying “centenary,” because I propose that 1922 should be formally recognized as the “Birth Year of the Flapper.” I’ve spent, err, too much time exploring this fascinating era of the early 20th century (especially when I did Flapper Month here on Silent-ology a few years ago), and after awhile I started noticing a trend. While flapper culture had been brewing and evolving for quite some time, 1922 is truly the year when the quintessential bobbed-hair flapper burst into the public consciousness. Did she ever!

It was also the year The Flapper magazine debuted–“Not For Old Fogies.”

Two examples of what I mean: here’s the results you get when you search for “flapper flappers” (both words at the same time) in the years 1910-1929 on the Media History Digital Library:

And if you do the same search on Chronicling America, if you narrow the search results down to a single year at a time, you will see:

1919: 12 results
1920: 22
1921: 36
1922: 533 (!)

I dunno, that’s looking pretty clear cut to me!

Postwar Flappers (Chapter 23) - F. Scott Fitzgerald in Context

(If you’re curious, on Chronicling America 1923 = 67 results, and 1924 = 64. After 1922, flappers seemed to be an accepted part of life–or maybe the public was tired of talking about them so much.)

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Was Gloria Swanson Really A Sennett Bathing Beauty?

Hollywood legend Gloria Swanson–whose name is basically synonymous with “glamour”–had an endearingly humble start in the 1910s as a star in Mack Sennett shorts. The petite actress was paired with the equally petite Bobby Vernon in a number of successful films like The Danger Girl (1917) and Teddy at the Throttle (also 1917)–and yes, they sometimes shared top billing with Teddy the Sennett Dog.

File:Bobby Vernon, Teddy the Dog, and Gloria Swanson - Talking Screen,  September 1930.jpg - Wikimedia Commons
Teddy in the center, his rightful place.

Pretty different territory from the tuxes-and-ballgowns dramas Gloria later made with Cecil B. DeMille! Yes, as you’ve no doubt heard, the actress that would one day earn millions and pose in furs and jewels got her start as a frolicking Bathing Beauty in slapstick films, running around the beach in various striped, ruffly, puffy (or all of the above) bathing suits. Oh, Hollywood history–the gift that keeps on giving.

Ah, but is that bit of Hollywood history really accurate? Gloria herself would always insist that she was never actually a Sennett Bathing Beauty–and stuck to her story like glue, too. (I believe the phrase “vehemently denied” has also been tossed around.) She once said, somewhat dramatically: “I was never a Sennett bathing beauty. Those glossies that sometimes turn up were pulicity stills that I unfortunately made as a favor when I had a free hour. And I’ve paid for it all of my life.”

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“Splashes of Fun and Beauty”–Sennett’s Famous Bathing Beauties

If you’re ever having an earnest discussion about silent comedy (and who wouldn’t), there are a few topics that will often bring out a smile: fake mustaches, cream pies, satirical twirling of said fake mustaches, the Ton of Fun. And there’s one topic that always seems to make people smile: Mack Sennett’s Bathing Beauties.

Bathing beauties

Once considered mildly risquébut now considered surprisingly innocent, the playful, perky, mischievous girls popped up in Sennett’s comedies time and time again. Admittedly the plots would sometimes screech to a halt just for them, but at least half of the theater audiences were too appreciative to mind. Continue reading