DVD Review: “Little Orphant Annie” (1918)

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Little Orphant Annie (1918), the latest film restoration by film historian and collector Eric Grayson, is a rare gem for silent film fans–especially those who enjoy falling down research rabbit holes as much as I do. It’s come out at the perfect time–exactly 100 years since its initial release, and 100 years after the death of James Whitcomb Riley, author of the poem “Little Orphant Annie.” It’s the earliest available film that stars Colleen Moore, who within a few years would define “flapper” for a generation. Watching it requires you to put aside any memories of 1977 musicals involving little redheaded girls singing hopeful songs–and even the Little Orphan Annie comic strip, which didn’t debut until 1924. Continue reading

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The SFSFF Is Coming!

…That is, the San Francisco Silent Film Festival, which starts May 30. And yes, I’M COMING BACK, BABY!!

Image Credit: Pamela Gentile for silentfilm.org

Last year, as some readers may remember, I had to skip the event due to a family vacation abroad claiming most of my travel funds. But this year, I’m making up for it–I’ll be returning to the Castro theater for the entire beautiful festival, and am planning on attending every showing if I possibly can. I might add that the festival spans five days this year, so this is not a challenge I accept lightly. I AM READY. Continue reading

Fan Magazine Fun: Odds And Ends From “Film Fun”

Just in time for the weekend, it’s the latest installment of Fan Magazine Fun, where I share funny cartoons, fluff articles, and other strange goodies that can be found lurking in the pages of old movie magazines.

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And totally not-creepy cover art of disembodied Charlie heads.

This time I found so many amusing odds and ends that I decided to put together a little collection of clippings. These are from February-June 1919 issues of Film Fun, one of the fluffiest of early fan magazines.  Continue reading

DVD Reviews: “The Round Up” (1920) and “London Symphony” (2017)

Spring is finally here! (It sure took awhile to get to my neck of the woods, lemme tellya.) And with that in mind, it’s time to take a look at a couple fresh, new (or pretty new) releases that will make nice additions to the well-curated collection of silents that we all obviously have.

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It’s with a resounding “Hurrah!” that I greet CineMuseum’s newest release, a Blu-ray/DVD combo of Roscoe Arbuckle’s first feature film, The Round Up (1920). If you’ve read any of my Comique Month series from last July, you’ll know that I’m a big Arbuckle fan. So having this charming Western available is a nice boon for my collection. Continue reading

Was Chaplin Really That Sentimental?

You see it pretty often on the Interwebs–folks who, usually while embroiled in one of those “Chaplin vs. Keaton” debates, will state that they like Charlie Chaplin well enough, but he’s “too sentimental.” They will then declare their allegiance to Buster Keaton, or else sigh: “They’re both so awesome, I just can’t choose!”

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Harold Lloyd sits patiently on the sidelines, as usual.

While I guess I understand this viewpoint, I scratch my head over it at times–and not just because I feel that Chaplin’s so-called “sentimental” stories are crafted with sincerity and taste. I’d venture a guess that most people today who watch Chaplin tend to focus on his 1920s-and-beyond work, the favorites being The Gold RushCity Lights, and Modern TimesAnd yes, these films are the go-to examples of his much-analyzed use of “pathos.”

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People can’t get enough of “pathos,” as my scientific graph demonstrates.

But this fabled “sentimental Charlie” we’re familiar with today wasn’t the character that 1910s audiences went crazy over. Quite the opposite, in fact! My friends, if you’re leery of supposed sappiness in Chaplin’s work I must urge you to get acquainted with…Keystone Charlie. Continue reading

Obscure Films: “Aelita: Queen of Mars” (1924)

4/9/18, 9:30 pm: As I’m writing this, it’s been a few years since I’ve beheld the 1920s Soviet sci-fi extravaganza Aelita: Queen of Mars. My memories of it are somewhat murky, because truth be told,  I fell asleep halfway through it. But! It’s always good to give half-watched films a second chance, and since I have a bit more knowledge of Soviet cinema under my belt right now methinks I shall sit down and behold it once more.

4/10/18, 8:15 am: Darn it, I fell asleep again! 

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Someone ain’t happy.

Aelita is somewhat familiar to silent film fans, but mention it to the fabled “regular folks” and you’ll get a “Huh”? It was an ambitious film once meant to rival the masterworks of Germany and the U.S., and while it was popular in the Soviet Union it didn’t seem to make a big splash anywhere else (at least not in the US, where it wasn’t released until 1929). Today, despite nicely-scored restorations being available and occasional photos being shared on social media, it can’t quite climb out of obscurity.  Continue reading

A Little Tour For New Readers

Hello all! As Silent-ology continues to try and spread the joy of silent cinema to anyone who happens to stumble by, I’m considering writing brief “welcome” posts like this every once in awhile. I know what it’s like to visit a new blog and feel like someone who just popped into a trendy new cafe and is trying to figure out the complicated chalk-written menu.

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“The menu includes ‘add ons’ AND ‘extras.’ Aren’t they the same thing?!?”

Of course, the “About” page of a blog always helps, but it’s nice to know you’re in the writer’s thoughts right here, right now.

So here’s the most basic tour: I’m interested in pretty much every detail of the entire silent era, so if there’s a topic you’re interested in, there’s a good chance I’ve got it covered–and if not, it’ll likely be written about in the future! Take a look at the My Articles page, or simply use the Search box. I gravitate toward silent comedy a bit more than drama, so searching for “comedians” or “silent comedy” should bring up a lot of results. (There’s oodles of Buster Keaton, by the way–especially since I host an annual Buster blogathon!)

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Buster’s obviously psyched about being so well-represented.

I like to do theme months a couple times a year, and so far these have included: Forgotten comedians, Georges Melies, Mary Pickford, the Comique shorts (made by Roscoe Arbuckle and co-starring Buster Keaton) and my latest, Flapper Month. I also enjoy covering German Expressionism and other silent horror-type films every October, so there’s plenty of tags for those topics too.

If you’re brand new to silent films, you might appreciate these early articles:

But let’s say you already like silents, and are specifically interested in Really Super Old silents. Consider checking out:

Or maybe you want to know more about the early moviegoing scene. You’ll probably enjoy:

Or perhaps you’re looking to learn more about silent era actors. I try to cover both the big personalities and the obscure ones. Here’s a few:

Gravitate toward the artsy side of the era? Take a look at:

Planning a trip to Hollywood? Looking for some tips on finding silent-related sites, and how to get there? I’ve got you covered!

And as long as we’re on the topic of visiting silent Hollywood, if you’re as interested in research as I am, you’ve no doubt heard of the prestigious Margaret Herrick library. Plan on going there one day? Here are some tips on how to do research there:

A Newbie’s Visit To The Margaret Herrick Library

There’s a lot more, of course, but I hope this brief tour was helpful. And as always, feel free to leave comments (even on older articles). We have a very friendly crowd here, so don’t be shy!

Happy reading!

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Clara Bow–The Eternal “It” Girl

This is the last post for Flapper Month. It’s been a great series, and I’m sad to see it end (maybe it’s no coincidence that today’s Good Friday!). Perhaps a Flapper Month 2 is in order one of these days. Until then, enjoy this look at one of history’s most famous and beloved flapper actresses!

“Clara Bow is the quintessence of what the term ‘flapper’ signifies…Pretty, impudent, superbly assured, as world wise, briefly clad and ‘hard-berled’ as possible. There were hundreds of them–her prototypes. Now, completing the circle, there are thousands more–patterning themselves after her.” –F. Scott Fitzgerald, 1927.

In the 1920s, the influential Elinor Glyn–highly successful writer of “racy” novels such as Three Weeks, and matronly authority on simply all things fashionable–coined a new definition of the word “It” (which she always capitalized). “It,” she declared, was a rare magnetic quality, an innate self-confidence and ability to fascinate others. Sex appeal was part of it, sure, but it wasn’t the only part. Very few people had “It,” according to Glyn…and in 1927, she loftily declared that one actress, and one actress alone, not only had “It,” but was worthy of the title “The ‘It’ Girl.” And that actress was Clara Bow.

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It was a long way to come for a young woman who had grown up in the shabby tenements of New York City, unwanted and unloved, often neglected by her father and living in fear of a mentally unstable mother. Continue reading

Thoughts On: “Our Dancing Daughters” (1928) and “Our Modern Maidens” (1929)

Are you looking for some fun, frothy movies showing Jazz Age partying in fabulous Art Deco mansions? Are you in the mood for sparkling jewels, immaculate tuxes and flowing champagne? Do you want to see some of those swirling, kaleidoscope shots of musical instruments and dancing couples? Then Our Dancing Daughters (1928) and Our Modern Maidens (1929) are the films for you!

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And if you’re among the multitudes who are familiar with Joan Crawford from her 1940s dramas and Whatever Happened to Baby Jane?, then get ready to see the strong-featured, oft-shoulder-padded star as you’ve never seen her–as a sparkling flapper who can beat anyone in a Charleston contest. Continue reading

How To Throw An AUTHENTIC Roaring Twenties Party

So you want to host a 1920s-themed party. According to the wise source known as Pinterest, most of these parties nowadays tend to look like this:

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Flappers always brought their tommy guns to parties while wearing thigh-high dresses, as you know.

Of course, there’s nothing really wrong with a Vaguely-Twenties-themed party–but what if you tried hosting one that was a little less Party City and a little more weekend in West Egg”? Here are some handy tips! Continue reading